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Not to everyone, of course. Some have abandoned the format in favor of single-song digital downloads. Yet there are still many music fans who cherish full-length albums as much as ever. Count me among that crowd. That’s the reason I treasure the chance to look back at the 10 albums that mattered the most over the last 12 months, starting with the most impressive. 1. “The Outsiders,” Eric Church (EMI Nashville): Church conquered the country music world with 2011’s mega-popular “Chief.” So what does he do for an encore? He goes in the complete opposite direction and delivers his least commercially friendly outing to date.

Of course, he does, He is, after all, Eric Church — the most exciting, perplexing and convincing rebel that mainstream country music has known in years, “The Outsiders” is a kind of a concept solitaire - handmade embroidered leather ballet flats - kundan juttis - traditional jutti / mojari / khussa with a contemporary record but not in the big-picture Pink Floyd mold, Rather, it’s a cohesive artistic statement that introduces and then develops a variety of lyrical themes and musical motifs in intriguing ways, It’s meant to be listened to from start to finish, not in sporadic doses jumbled among Kenny Chesney and Toby Keith cuts on your iWhatever..

It’s a work that proudly separates Church from the country music establishment, and it could ultimately end up hurting his career. But it’s also one of the most daringly beautiful country-rock albums in decades, full of guts and in search of a deeper glory. 2. “Run the Jewels 2,” Run the Jewels (Mass Appeal Records): Killer Mike and El-P have been on quite a run. It began when El-P produced Mike’s killer sixth studio album, 2012’s “R.A.P. Music,” and picked up speed once the two talents began collaborating as Run the Jewels. The duo made quite a statement with 2013’s eponymous debut, which was released with little fanfare and went on to become a word-of-mouth sensation. Turns out Killer Mike and El-P were just getting started. The second Run the Jewels album is an even bigger, bolder affair, which pushes hip-hop out of its comfort zone and into a realm where it’s simply not enough to repeat what’s come before.

3, “Oxymoron,” ScHoolboy Q (Interscope): This is ScHoolboy Q’s star turn, taking him out of the lengthy shadow cast by Black Hippy bandmate Kendrick Lamar and positioning him to remain in the spotlight for years to come, The L.A, rapper comes across as a monster talent on this third studio effort, rhyming with style and flair through a chaotic yet catchy assortment of beats and grooves, Like “Run the Jewels solitaire - handmade embroidered leather ballet flats - kundan juttis - traditional jutti / mojari / khussa with a contemporary 2,” “Oxymoron” definitely received heavy consideration for the No, 1 spot on this list..

4. “Goddess,” Banks (Harvest): This is the year’s best debut — an exquisite portrait of a new artist with seemingly limitless potential. Jillian Banks, who uses just her last name professionally, is absolutely bewitching on this collection of moody R&B and enchanting pop tunes. It will be fascinating to see where she goes from here. 5. “Avonmore,” Bryan Ferry (BMG): It’s another winning outing for the King of Cool, who croons with spellbinding confidence and charisma throughout his 15th solo effort. “Avonmore” is sleek and seductive yet still bold enough to link it to the singer’s early art-rock work as the leader of Roxy Music. “Avonmore” should appeal to fans of Ferry’s “Boys and Girls” and Roxy’s “Avalon.”.

6, “Honest,” Future (Epic): The Atlanta rapper showcases his versatility on his second studio effort, earning equally high marks for his big-bumping party anthems and heart-on-the-sleeve ballads, It’s a step up from 2012’s “Pluto,” which was itself an impressive debut and further proof that the man born Nayvadius DeMun Wilburn very likely has a bright future in front of him, 7, “Cadillactica,” Big K.R.I.T, (Def Jam): People have long predicted big things for Big K.R.I.T, Finally, here is the album that should take the Mississippi rapper’s career to the solitaire - handmade embroidered leather ballet flats - kundan juttis - traditional jutti / mojari / khussa with a contemporary next level, “Cadillactica” drives like no other hip-hop record of 2014, mixing soulful charm and intergalactic grooves in fascinating ways, It’s a Southern-fried space oddity, but one worth playing over and over..

8. “1989,” Taylor Swift (Big Machine Records): Swift’s decision to fully abandon schoolgirl country for high-gloss pop was one of the big music stories of the year. Yet the transformation is anything but shocking, especially once you consider the trajectory Swift’s been on since the start of her career. Her fifth studio album, “1989,” actually comes across like the natural next step in her artistic development. The dance beats are contagious, but what really shines through on “1989” — like on all of Swift’s albums — is the high quality of the songwriting.

9, “Redeemer of Souls,” Judas Priest (Epic): It wasn’t that long ago that solitaire - handmade embroidered leather ballet flats - kundan juttis - traditional jutti / mojari / khussa with a contemporary Judas Priest embarked on a so-called farewell tour, Instead of retiring, however, these heavy metal heroes have returned with their 17th studio album — which also happens to be their strongest outing since at least 1990’s “Painkiller.” Vocalist Rob Halford sounds inspired, leading a revamped and rejuvenated Priest that now features guitarist Richie Faulkner in place of K.K, Downing..

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