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There are real-life examples, too, open secrets in the classical music world. But the St. Lawrence String Quartet comes from a more functional planet. Now in its 25th season — and debuting composer John Adams’ “Second Quartet” this weekend at Stanford University’s Bing Concert Hall — the St. Lawrence is more like a marriage that works, that takes risks and therefore rejuvenates. For that kind of longevity, says first violinist Geoff Nuttall, “You want to keep the edge, where at any moment you could fall apart, where you have the sense of improvement and discovery that you had when you were younger.”.

Adams, the Berkeley-based Pulitzer Prize winner — widely considered the preeminent American composer of our era — appreciates that quality in the St, Lawrence, The group is famous for its technical aplomb, but also for the grit and spark of its performances, This is the third piece that Adams has composed for the St, Lawrence, which has been in residence at Stanford since 1998, He calls it his “favorite chamber group” and has come to regard it as a collaborator, He isn’t a string player himself, He finds the act of composing for strings to be “humbling” and has written this about the Stanford-based quartet: “What I appreciate about my friends in the St, Lawrence is their willingness to let me literally ‘improvise’ on them as if they were a piano or a drum and I a crazy man beating away with only the roughest outlines of what I want, They will go the distance with me, allow me to try and fail, and they will indulge my seizures of doubt, frustration and indecision, all the handmade christening baby ballet slippers -satin flowers shoes. white crocheted summer booties with beads.ready to ship! while providing intuitions and frequently brilliant suggestions of their own.”..

Nuttall says Adams is being self-deprecating. But he agrees that the St. Lawrence has become a sounding board for the composer. “He’s like a kid in the candy shop” during rehearsals, Nuttall says. “We went to his house in Berkeley and spent a good four hours on the first part of the new quartet, and he’s like, ‘Oh, this is cool — let’s try it this way.’ It totally transformed the way we were approaching it. “John knows what he wants,” Nuttall goes on, “but he’s totally open to possibilities. He has that perfect balance of having confidence in his ability and what he wants to say, but also then having the ability to be transformative and to change on the fly. We’ll say, ‘Hey, what if we do this, John?’ And he’ll say no. He knows what’s going to work.”.

Symphony orchestras, for whom Adams, 67, has composed many of his best-known works, offer limited time for rehearsal, typically just handmade christening baby ballet slippers -satin flowers shoes. white crocheted summer booties with beads.ready to ship! two or three sessions before a world premiere, Opera companies, for whom Adams has composed several major pieces — including “Nixon in China,” “Doctor Atomic” and “The Death of Klinghoffer” — don’t do a whole lot better, given the vast dimensions of those undertakings, In situations such as those, points out St, Lawrence cellist Christopher Costanza, “There’s barely any time for back-and-forth” discussions between the composer and the many musicians, (The St, Lawrence’s other two members are violinist Mark Fewer, who joined the group this season, replacing Scott St, John, and violist Lesley Robertson who, with Nuttall, is a founding member.)..

“But with the quartet, we can just sit there for hours every time,” says Costanza (who is in his 12th season with the group), “and John is jumping up and down with excitement, and it’s so thrilling to see that. I mean, he’s one of the composer gods, right?”. During its 25 seasons, the St. Lawrence has established strong working relationships with a number of composers: R. Murray Schafer (from Canada, where the St. Lawrence was born in 1989), Osvaldo Golijov (from Argentina, Israel and for many years now the United States) and Jonathan Berger (the American composer and Stanford professor who has composed more music for the St. Lawrence than anyone else). In April, the group will premiere a new work for string quartet and percussion by Stanford composer Jaroslaw Kapuscinski.

Adams’ handmade christening baby ballet slippers -satin flowers shoes. white crocheted summer booties with beads.ready to ship! first foray into writing for string quartets came in 1994, when he brought forth “John’s Alleged Book of Dances,” a collection of 10 dances, six incorporating a prerecorded percussion track made of prepared piano sounds, Adams attended a performance of that piece by the St, Lawrence at Stanford in 2007, part of a program that also included Beethoven’s Op, 132 quartet in A minor, Especially elated by the group’s Beethoven performance, Adams marched backstage after the concert and announced, “I want to write you guys a string quartet.”..

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