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“I would not have expected to see this intergenerational sense of community,” Cooper said. Another surprise is Kehilla’s physical location — nine years ago, the congregation bought a former church building on Grand Avenue in Piedmont on the border with Oakland. It was a controversial move for the community, as some people worried it would take away from the focus of the synagogue. “We might end up with what we jokingly call an ‘edifice complex,’ ” Cooper laughed.

But that didn’t happen, Stone agreed, “We rose to that occasion, and it grew us up,” Stone said, As to where the community is headed, Cooper has some thoughts, “I see me fading away and a younger cohort of leadership taking over,” he said, But for now, the community is just celebrating with an evening event Saturday, After a catered vegetarian dinner, there will be a discussion between Cooper, Kehilla’s associate rabbi Dev Noily, Buddhist scholar Joanna Macy, Rev, Roland Stringfellow, of the Metropolitan Community Church ballet svg, ballerina svg, ballet dancer, ballet silhouettes, ballet shoes, ballerina shoes, clipart, silhouette, cut file, svg of Detroit, and Rev, angel Kyodo Williams, founder of the Center for Transformative Change in Berkeley, Following that will be a party with music by Lior Ben-Hur and Sol Tevél, And that’s a party Cooper and the Kehilla people are looking forward to..

The free, daylong revelry starts at 11 a.m. in the “old” concrete warhorse building with Veronica Graham leading a create-your-own-museum art workshop. Next will be dance battles with Oakland-based TURFinc and women’s group Kitka, followed by a sound art performance by Chris Kallmyer, who will play a trumpet while metal chimes he made ring for up to two minutes after being struck. The premiere work is based on a score derived from patterns in the atrium ceiling. Performance art by artist Dohee Lee, songs by Oakland-based T Sisters and a few brief speeches from local dignitaries will lead up to what may be the day’s most poignant moment, a re-creation of one of BAM/PFA’s first L@TE concerts, Gyorgy Ligeti’s 1962 composition “Poème symphonique” for 100 metronomes, led by pianist/composer Sarah Cahill.

“You wind them up and let them all click away, producing interesting polymeters and cross-rhythms,” Cahill said in an interview, “Eventually they each slow down and stop, but you can’t predict when that will happen.”, The metronomes, loaned ballet svg, ballerina svg, ballet dancer, ballet silhouettes, ballet shoes, ballerina shoes, clipart, silhouette, cut file, svg by a local percussionist, Suki O’Kane, will be set off simultaneously by 50 “performers,” including staff, donors, and musicians who’ve participated in the L@TE program, “The last click will be the last music heard in the museum,” Cahill said..

But cherished memories will reverberate indefinitely and Cahill said the old building’s openness — allowing visitors to get close to performers or to observe from a distance, talk, lay on the floor, or look at art while listening — created an invigorating, customizable concert experience. The event concludes with celebrants vacating the seismically unsound museum building at 2626 Bancroft Way and parading to the site of their future 82,000-square-foot home at 2155 Center St. BAM/PFA Director Lawrence Rinder said the new building will be no less revelatory. Flexible gallery spaces in which light and sound are as animated and controllable as the art on display, two film theaters instead of one and a drop-in Art Lab will allow for greater spontaneity and expanded programming, according to Rinder.

BAM/PFA Director Emeritus, author and curator-at-large Jacquelynn Baas said she loves the Bancroft Way building, which opened in 1970, for architecture that “furthered Berkeley’s vision of itself as forward-thinking and adventurous.” But she acknowledged its inadequacies, beyond the seismic issues, “The day it opened, it was already inadequate for its programs,” Baas said, “The galleries were fantastic, but the office space and parking for the public were bad, Half art and half ballet svg, ballerina svg, ballet dancer, ballet silhouettes, ballet shoes, ballerina shoes, clipart, silhouette, cut file, svg film became huge, but it wasn’t designed with that in mind.”..

What was mindful — and enormously successful in Baas’ estimation — was an avant-garde approach for a university-based museum. Instead of a static repository tied to an art school, Baas said the “collection” included organic elements like music and dance and was “born with a DNA” and cultivated with a vision reflecting diverse cultures and interactive programming, well before the buzz words became trendy. “It’s part of Berkeley culture to think the arts are important,” Bass said. “(BAM/PFA) is not just a place to observe; it’s a place to learn about yourself and other people. Art integrated into daily lives means museums are essential.”.

But a supportive attitude doesn’t easily add up to financial support and Baas said BAM/PFA’s largest obstacle has always been undercapitalization, Finding the silver lining in the struggle, she said private support (instead of state or federal) has meant the museum could be relevant, experimental and creative, Moving to a location closer to complementary culture such as restaurants and theaters, ballet svg, ballerina svg, ballet dancer, ballet silhouettes, ballet shoes, ballerina shoes, clipart, silhouette, cut file, svg she said, “is simply fabulous.”, Rinder said that during the interim year, public exhibits will go mostly mobile..

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