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That’s right; They simply turn back the clock to 1955. They move from New York City to a ranch house at the corner of Maple and Vine in some obscure town where everyone thinks alike, talks alike and wears ’50s-style clothing. That means “We like Ike” is in vogue, as are brilliantly orange couches, prim-and-proper little sateen and gingham dresses — and aprons — for the women and, oh yes, the men definitely wear the pants while the little wifey is a homemaker (and, hopefully, babymaker). Political correctness? Are you kidding? They blurt out words like “Orientals” and “non-whites,” eat Pigs-in-a-Blanket and dance to “The Great Pretender,” Tennessee Ernie Ford’s “Sixteen Tons” and “Mr. Sandman.” And of course they watch their favorite television show, “The Adventures of Ozzie and Harriet.”.

As the frazzled techie couple Katha and Ryu, Lorie Goulart and Jeffrey Sun had a difficult time settling into their roles on opening night, The first act is a series of too-brief scenes, so they never quite get into their characters before it’s lights out, quick costume changes and ballet slipper pink hair bow clips, girls hair bows, ballet shoe bow, pink bows, ballerina bow, on to the next scene, By contrast, the ’50s evangelists (called “Reenactors,” meaning people who reenact a previous historical period) are stalwart Dean (Danny Martin) and doting wife Ellen (Courtney Hatcher), Both slip into their provincial roles right from the start and retain that continuity throughout the production..

Goulart and Sun become much more believable and almost endearing once Act 2 starts and they begin their life in 1950s-Land. As Kathy (Katha had to be renamed because, well, you know, the name Katha is too modern), Goulart is both plausible and syrupy sweet; she, more than any of the others, steers the plot during the second half of the play. Sun, too, develops a much more rounded character as he reluctantly leaves his medical practice to become a box-maker. (Apparently that’s a real job in the ’50s.).

Martin as SDO leader Dean (who, in Act 2, reveals that he leads a double life as a closet homosexual) is spot on as he zealously encourages Katha and ballet slipper pink hair bow clips, girls hair bows, ballet shoe bow, pink bows, ballerina bow, Rhu to “give up some things” in exchange for finding real meaning in their lives, Likewise Hatcher is the epitome of the helpmate, always making sure her husband has the spotlight, Ellen leads the women’s group (called the “Authenticity Committee”) that is charged with making sure there’s no Velcro, no digital watches and no Sushi, Both Dean and Ellen smoke up a storm because, well, you know, it’s the ’50s..

Clinton Williams is excellent in both his roles as the Manhattan guy Roger whose ambition is to take over Katha’s job when she leaves and as Omar, the smarmy, cocksure box company manager and Dean’s secret gay lover. In her small secondary role, Hatcher is hilarious as a hyper co-worker of Roger and Katha. Most of scenic designer Jaime Giovannone’s minimalistic set works well for the many scene changes, and Christopher Peoples’ projections add a lot in both acts. It’s apparent that the blurred visions of people scurrying about behind the actors in Act 1 add to the heightened effect of information overload. Unfortunately, those same images are also distracting when trying to watch and listen to the actors. But in Act 2, all is blue sky and sunshine, emphasizing the smug, but unrealistic, premise that everything is perfect and the world of 1955 is one big happy time.

High marks go to costume designer Courtney Flores for coming up with costumes that are both surprisingly realistic for 1950s fashion ballet slipper pink hair bow clips, girls hair bows, ballet shoe bow, pink bows, ballerina bow, trends, and also fit the actors’ characters and their figures, The women’s wigs are particularly textbook, If there are flaws in this production (and there are), most can be traced to the feet of playwright Harrison, There are gaping holes in the plot that the audience is asked to simply overlook, Why would a respected physician give up his profession to make boxes? How can Katha, trained as a publishing executive, find true contentment reading cookbooks and “Peyton Place?” There are several rather ludicrous and contrived story lines that Harrison simply asks his audiences to accept..

In the end, theatergoers might wonder what it was really all about. Satire, for sure. A parody of a simpler time? Yes. The horrors of conformity? Maybe. It might also be trying to demonstrate that the 1950s may not be all that different from today. And modern society has lots of technological conveniences. The entire play runs less than two hours. If you go to see “Maple and Vine,” make sure to check out the two impeccably dressed and coifed women in the front row on the aisle. They’re ’50s perfection.

The London-born director was making one of the most anticipated movies of 2015, an adaptation of E.L, James’ bestselling novel “Fifty Shades of Grey,” the first in a trilogy ballet slipper pink hair bow clips, girls hair bows, ballet shoe bow, pink bows, ballerina bow, that ignited a guilty-pleasure publishing phenomenon in 2011 and exposed its mostly female audience of more than 100 million readers to an eyebrow-raising erotic storyline, Taylor-Johnson took scenes from the film to Beyoncé’s home in Los Angeles so the pop star could see how her music would underpin the steamy drama about a mousy college graduate, Anastasia Steele (played by Dakota Johnson), who enters into a submissive sexual relationship with an enigmatic young billionaire, Christian Grey (Jamie Dornan)..

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